Back in the days of
tight ponytails and early bedtimes, I used to tremble under my bed covers,
truly believing that there were enormous, bona fide monsters in my closet,
behind my dresser, or under my bed. My
ineffectual retaliatory tactics consisted of a cache of rolled up socks, a
motley collection of hot-tempered Barbie and Ken dolls, and as a last resort, a
neon green water pistol that I had permanently borrowed from the boy next
door. My exasperated dad, with his subtle
rhythmic Swedish brogue had routinely coerced me to try counting sheep as a way
to focus my attention onto something peaceful and non-threatening, and to my
surprise, it did help…at least while he was there next to me. But as soon as he left the room, my bounding,
fluffy, cute sheep mutated into red-eyed, bloody-fanged, monster sheep that
instead of hopping over my imaginary white fence, turned on me, snorting and
flashing their glistening sharp horns as they headed straightway toward my bed. I wanted desperately to leap off the bed and
bolt to my parents’ room, but I couldn’t risk the attack from under the
bed. Defeated, I would bunch myself into
a ball of fear, shaking into a fitful sleep that would hold me captive to my own monster-laden nightmares.
What I didn’t know back
then was that I had complete control over those invisible beasty creatures—that
I could have at any moment banished them from their pseudo-existence.
So this summer I went to see
Pixar’s latest Monsters University and found it to be not as psychologically transforming as the original Monsters Inc., but overall better than I
had expected. Maybe it’s a genre thing,
but somehow I missed the most important fact that this second film is a prequel
to the original. I erroneously thought
it was about the next generation of the first dynamic monster duo: One-eyed Mike
Wazowski and his burly blue furball of a
friend, Sulley. But no…this film takes
us back to the early college days of the two barely scary monsters and reveals
how they overcome their greatest fears of not being scary enough for the university as they
ultimately band together to create their notorious Monsters Inc. enterprise. This second film ends—somewhat awkwardly—where
the first one begins.
Overall, the one redeeming factor that makes
this a blogable film is not actually based upon anything connected to Wazowski
or Sulley. Instead, it’s the diabolical Centipedess, Dean Abigail Hardscabble,
who philosophically lectures to future graduates of her university that “Scariness is the true measure of a monster…”
and that “…if you’re not scary, then what kind of a monster are you?” But what this tightlipped, angry monster of a
woman fails to mention is that the scare factor is only as scary as the
victim allows it to be.
As a grown up, I
no longer cringe over the prospect of imaginary monsters, but I am grateful for
what I have learned from them. They have taught me from that young, impressionable
age that when the time would come for me to face my own fair share of human
monsters—a mere handful of humans who have tried to wreak havoc upon my life
for no good reason—that they have no power over me as long as my lack of fear
prevails. When I refuse to cower under
their seemingly ominous presence, they ultimately become…pardon the expression
but…sheepish. It really is a matter of
choice, and my choice is to stick my tongue out at these cowardly wolves and
say, “Nanny-nanny boo-boo, you cannot scare me!”
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